What you'll learn
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This course includes:
Course content
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01-COURSE 101:00
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01-Resources Discord Access03:10
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02-AP CLASSIC CINE VOL. 01 FULL SET01:00
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02-Introduction01:40
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03-Chapter 1 Done Is Better Than Perfect05:27
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03-Chapter 1 Done Is Better Than Perfect02:52
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04-Chapter 2 Defining Your Creative Identity03:31
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04-Chapter 2 Defining Your Creative Identity03:21
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05-Chapter 3 Getting Over the Fear of Posting03:46
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05-Chapter 3 Getting Over the Fear of Posting03:23
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06-Chapter 4 Course Walkthrough00:56
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01-Chapter 1 Camera vs Phone - What Actually Matters01:52
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01-Chapter 1 Camera vs Phone - What Actually Matters03:21
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02-Chapter 2 Intro to Lenses Lighting and Sound07:05
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02-Chapter 2 Intro to Lenses Lighting and Sound03:34
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03-Chapter 3 Budget Gear That Doesnt Suck03:49
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03-Chapter 3 Budget Gear That Doesnt Suck04:04
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01-Chapter 1 Framing 10106:45
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01-Chapter 1 Framing 10103:35
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02-Chapter 2 Lighting 10104:01
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02-Chapter 2 Lighting 10103:24
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03-Chapter 3 Movement 10104:28
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03-Chapter 3 Movement 10103:46
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04-Chapter 4 Sound 10103:00
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04-Chapter 4 Sound 10103:21
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01-Chapter 1 Start With Your Subject Song First03:31
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01-Chapter 1 Start With Your Subject Song First03:58
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02-Chapter 2 Writing to Pacing Tempo03:24
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02-Chapter 2 Writing to Pacing Tempo04:18
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03-Chapter 3 How to Shot List My Method Glossary03:13
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03-Chapter 3 How to Shot List My Method Glossary04:15
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04-Chapter 4 Hooks04:40
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04-Chapter 4 Hooks04:11
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05-Chapter 5 Write the Script Then Add the Shots05:55
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05-Chapter 5 Write the Script Then Add the Shots03:41
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06-Chapter 6 Go Film21:20
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06-Chapter 6 Go Film03:19
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01-Chapter 1 Choosing An Editing App Setting Up Your Project04:10
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01-Chapter 1 Choosing An Editing App Setting Up Your Project04:01
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02-Chapter 2 Cutting to Music Building Flow27:11
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02-Chapter 2 Cutting to Music Building Flow03:48
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03-Chapter 3 Sound Emotion Why It Comes First12:50
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03-Chapter 3 Sound Emotion Why It Comes First03:15
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04-Chapter 4 Final Polish - Color Exposure Fixes11:56
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04-Chapter 4 Final Polish - Color Exposure Fixes03:33
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05-Closing Statement01:03
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01-Chapter 1 Uploading Without Cringing04:54
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01-Chapter 1 Uploading Without Cringing03:48
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02-Chapter 2 How to Write Captions That Keep People Coming Back02:28
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02-Chapter 2 How to Write Captions That Keep People Coming Back03:27
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03-Chapter 3 Staying Consistent Without Burnout07:44
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03-Chapter 3 Staying Consistent Without Burnout04:00
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04-Closing Statement01:18
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01-Resources Discord Access03:37
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02-Chapter 1 Setting the Stage What to Expect03:08
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02-Chapter 1 Setting the Stage What to Expect03:15
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03-Chapter 2 What It Means to Think Like A Filmmaker02:33
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03-Chapter 2 What It Means to Think Like A Filmmaker03:34
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04-Chapter 3 The Power of Intentionality In Every Shot02:49
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04-Chapter 3 The Power of Intentionality In Every Shot03:37
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05-Chapter 4 Project Setup02:15
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05-Chapter 4 Project Setup03:22
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01-Chapter 1 How Filmmakers Approach Story in Visuals02:50
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01-Chapter 1 How Filmmakers Approach Story in Visuals03:46
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02-Chapter 2 Intermediate Composition Framing Principles13:07
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02-Chapter 2 Intermediate Composition Framing Principles04:12
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03-Chapter 2 Skills Practice01:44
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04-Chapter 3 Camera Movement to Drive Emotion08:29
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04-Chapter 3 Camera Movement to Drive Emotion03:28
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05-Chapter 4 Planning Shot Sequences for Narrative Flow07:32
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05-Chapter 4 Planning Shot Sequences for Narrative Flow04:02
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06-Chapter 5 Lens Choice Focal Length for Mood10:09
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06-Chapter 5 Lens Choice Focal Length for Mood03:28
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01-Chapter 1 What Does Cinematic Actually Mean03:17
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01-Chapter 1 What Does Cinematic Actually Mean04:04
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02-Chapter 2 Cinematic Lighting With One Light06:31
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02-Chapter 2 Cinematic Lighting With One Light03:22
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03-Chapter 3 The Psychology of Camera Angles - Directing Emotion with Framing08:24
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03-Chapter 3 The Psychology of Camera Angles - Directing Emotion with Framing03:38
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04-Chapter 4 Framing for Vertical Video - The Center Eye Rule Renaissance04:14
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04-Chapter 4 Framing for Vertical Video - The Center Eye Rule Renaissance03:36
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01-Chapter 1 Sound as a Cinematic Storytelling Tool02:18
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01-Chapter 1 Sound as a Cinematic Storytelling Tool03:09
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02-Chapter 2 The Formula Adrians Method04:44
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02-Chapter 2 The Formula Adrians Method03:20
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03-Chapter 3 Pacing Rhythm - Editing to Evoke Emotion05:03
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03-Chapter 3 Pacing Rhythm - Editing to Evoke Emotion03:18
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04-Chapter 4 Building Immersive Sound Layers08:15
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04-Chapter 4 Building Immersive Sound Layers03:16
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05-Chapter 5 Applying Sound Design in Real Time12:57
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05-Chapter 5 Applying Sound Design in Real Time03:11
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01-Chapter 1 What Separates Intermediate from Pro-Level Work02:41
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01-Chapter 1 What Separates Intermediate from Pro-Level Work03:42
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02-Chapter 2 How to Build a Sustainable Filmmaker Practice03:06
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02-Chapter 2 How to Build a Sustainable Filmmaker Practice03:42
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03-Chapter 3 What Youre Now Ready For02:19
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03-Chapter 3 What Youre Now Ready For03:40
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04-Chapter 4 Final Reflection - Where You Go From Here02:06
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04-Chapter 4 Final Reflection - Where You Go From Here03:23
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05-Final Note End of Course - From Creator to Filmmaker01:57
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Requirements
- Access to a camera or mirrorless setup, or a modern smartphone capable of shooting video.
- A computer with video editing software installed (such as Premiere Pro, Final Cut, or DaVinci Resolve).
- Basic comfort with operating a camera and computer, even at a beginner level.
- Willingness to practice by shooting and editing projects alongside the lessons.
- Interest in visual storytelling, cinematography, and producing intentional, cinematic work.
- Ability to download practice files and follow structured workflows step by step.
Description
The Filmmaker’s Academy is designed as a complete path for creators who want to move from casual content making into deliberate, cinematic filmmaking. The program is structured as both a foundation and advanced track in one curriculum, guiding learners from basic camera understanding to confident visual storytelling, sound design, and pro-level execution. Rather than relying on complex gear or large crews, the lessons focus on practical systems and decisions that can be applied with the tools most creators already have.
The learning journey begins by establishing a clear understanding of how filmmakers think about images and stories. Early modules focus on fundamentals such as shot types, composition, framing, and perspective. Students learn how choices like lens selection, distance to subject, and background control influence emotion and clarity. These modules emphasize seeing like a filmmaker: identifying the story purpose of each frame, understanding how visual hierarchy guides attention, and avoiding common beginner mistakes that make shots feel random or unintentional.
From there, the course moves into camera operation and technical control in a way that supports storytelling rather than pure tech. Learners work through exposure, shutter speed, aperture, ISO, and frame rate in the context of cinematic outcomes. Instead of memorizing settings in isolation, students see how motion blur, depth of field, and noise relate to mood and clarity. The program explains how to set up a camera for consistent results, build a simple baseline profile, and adapt settings when working in different environments such as interiors, night scenes, or high-contrast daylight.
Once camera control is established, attention shifts to movement, rhythm, and blocking. These modules explore tripod, handheld, gimbal, and motivated camera moves, focusing on when and why to move the camera at all. Students learn how to plan sequences so that shots cut together logically, how to create entrances and exits that feel intentional, and how to avoid chaotic movement that distracts from the story. The course introduces the idea of visual rhythm, demonstrating how shot length, motion, and composition can be used to build momentum or quiet the viewer’s experience.
Lighting is treated as a practical craft rather than an abstract theory. The Filmmaker’s Academy demonstrates simple setups that can be created with minimal equipment, including one-light arrangements that still feel cinematic. Students learn how to shape light using direction, distance, and diffusion, and how to balance practical lights in a room with the key light for a cohesive look. The modules cover working with natural light, managing difficult locations, and using contrast and color to support mood. Each example is broken down from thought process to execution, so learners can replicate the approach in their own spaces.
Sound and sound design receive dedicated attention, recognizing that audio quality strongly influences how professional a film feels. The course explains microphone choices, placement, and techniques for capturing clean dialogue in real-world situations. It then moves into sound layering, teaching students how to combine production sound, ambience, foley, and music to reinforce the emotional arc of a piece. Students practice shaping sound to guide attention, smoothing transitions between scenes, and avoiding common problems such as abrupt cuts or distracting noise.
Editing modules tie together the material from earlier sections by showing how to build a coherent film from raw footage. Learners are guided through organizing media, selecting the strongest takes, and assembling a first pass that follows the story beats planned during production. The program covers continuity, pacing, and timing, demonstrating how small adjustments in cut points can change the feel of a scene. Color correction and grading are introduced as practical workflows, with an emphasis on consistency across shots and subtle choices that enhance rather than overwhelm the story.
Beyond the technical elements, The Filmmaker’s Academy also emphasizes process and creative systems. Students learn how to move from idea to finished film through repeatable steps: clarifying intention, outlining a visual plan, building shot lists, preparing locations and gear, and managing time on set. The course shows how to work efficiently as a solo creator or small crew, how to communicate vision to collaborators, and how to maintain control over the story while remaining flexible when unexpected challenges arise.
In later modules, the curriculum explores more advanced topics such as integrating cinematic techniques into brand work, music videos, and short narrative projects. Learners see how the same core principles apply to different formats, whether the goal is a client campaign, a personal film, or a social piece that still feels crafted. The course encourages students to refine their own style through deliberate experimentation, using the tools and frameworks taught earlier to make purposeful decisions rather than copying trends.
By the end of The Filmmaker’s Academy, learners will have a structured way of approaching every stage of filmmaking. They will be able to design shots that serve story, shape light and sound for emotional impact, and edit projects into cohesive, cinematic pieces. More importantly, they will have a practical methodology they can rely on for future work, regardless of budget or scale. The aim is for students to leave with both a stronger portfolio and a clearer creative identity, grounded in repeatable practices rather than guesswork.
Who this course is for:
The Filmmaker's Academy is ideal for beginners and intermediate creators who want to move beyond casual content into intentional filmmaking, including videographers, music video directors, brand storytellers, and solo creatives who need a clear, practical system for planning, shooting, and editing cinematic projects.Instructor
Adrian Per
About Me
I am a filmmaker and creative director who built my career by learning to turn ideas into finished visual stories with the resources I had available. I started out shooting music videos and small projects, often working alone or with very small crews, which forced me to focus on clarity of vision, practical workflows, and getting the most from simple setups. Over time, that experience shaped how I approach every project, from early conversations through delivery.
My background spans music videos, brand campaigns, short films, and commercial work, and each of those worlds has taught me something about how audiences respond to images, rhythm, and emotion. I pay close attention to how composition, movement, light, and sound interact, and I have learned to build systems that help me make those decisions consistently under pressure. I care deeply about intentionality in visual storytelling, whether the project is a personal piece or a national campaign.
In my day-to-day work, I rely on processes that keep creativity grounded: clear planning, honest collaboration, and an understanding of what each shot is supposed to achieve. I value resourcefulness more than gear, and I am drawn to solutions that make complex ideas simpler to execute. My perspective has been shaped by years of working with artists and brands who need work that feels both cinematic and true to their identity.
My approach is to remain curious, to keep refining my craft, and to stay connected to the reasons I started making films in the first place. I see filmmaking as a long-term practice built on small, consistent improvements, and that belief guides how I handle every new project, from the first spark of an idea to the final frame.
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